RESEARCH IMPACT
Decolonised ‘in-betweenness’ – Agata Lulkowska (Staffordshire University)
Mixing Methods Measuring Impact – Djamila Boulil (DeClick)
Pacific Community Filmmaking – Kirsten Macleod (Edinburgh Napier University)
The media practitioner as an academic – António Baía Reis (University of Porto)
Evaluating cultural policies – S. Graca | L. Petrova | A. Klamer (ESTC | Creare | EUR)
When are you going to write a proper book – Vanessa Harbour (University of Winchester)
21st Century Winter Journey – Julian Lawrence (Teesside University)
Provoking Practice Visualising Community – Caroline Molloy (UCA Farnham)
Transuptive Film Practice – Orson Nava (Ravensbourne University)
Before and After Bait – Neil Fox (Falmouth University)
Our Story on Screen – Daithí McMahon (University of Derby)
METHODOLOGIES
A Conversation about Ethics – S. Broadhead | S. Hooper | K. Tobias-Green (Leeds Arts University)
Another Cyborg Manifesto – Alan O’Leary (Aarhus University)
Creativity and tourism – Vanessa Ágata de Abreu Santos (KU Leuven)
Evaluating cultural policies – S. Graca | L. Petrova | A. Klamer (ESTC | Creare | EUR)
Establishing film practice research – Iakovos Panagopoulos (Ionian University)
Mixing Methods Measuring Impact – Djamila Boulil (DeClick)
Reflections on creation research – Ivan Magrin-Chagnolleau (CNRS, France)
Transuptive Film Practice – Orson Nava (Ravensbourne University)
When are you going to write a proper book – Vanessa Harbour (University of Winchester)
Our Story on Screen – Daithí McMahon (University of Derby)
Seeking authenticity – Savyasachi Anju Prabir & Tanay Gandhi (unaffiliated)
Entrepreneurial Research as Method – Mirko Schaefer (Utrecht University)
Creative methods and participatory research – Nicole Brown (UCL Institute of Education)
Exemption from Meaning – Greg Bevan (Aberystwyth University)
CRITICAL CREATIVE PRACTICE
Decolonised ‘in-betweenness’ – Agata Lulkowska (Staffordshire University)
A Conversation about Ethics – S. Broadhead | S. Hooper | K. Tobias-Green (Leeds Arts University)
Creativity: The Cutting Edge – Judy Waite (UKLA)
Reflections on creation research – Ivan Magrin-Chagnolleau (CNRS, France)
The media practitioner as an academic – António Baía Reis (University of Porto)
COMMUNITIES
21st Century Winter Journey – Julian Lawrence (Teesside University)
Evaluating cultural policies – S. Graca | L. Petrova | A. Klamer (ESTC | Creare | EUR)
Iranian Women Unveiled – Pune Parsafar (Middlesex University)
Pacific Community Filmmaking – Kirsten Macleod (Edinburgh Napier University)
Our Story on Screen – Daithí McMahon (University of Derby)
Provoking Practice Visualising Community – Caroline Molloy (UCA Farnham)
Mixing Methods Measuring Impact – Djamila Boulil (DeClick)
DECOLONISATION
Decolonised ‘in-betweenness’ – Agata Lulkowska (Staffordshire University)
Transuptive Film Practice – Orson Nava (Ravensbourne University)
INTERNATIONAL
Pacific Community Filmmaking – Kirsten Macleod (Edinburgh Napier University)
Iranian Women Unveiled – Pune Parsafar (Middlesex University)
Establishing film practice research – Iakovos Panagopoulos (Ionian University)
Entrepreneurial Research as Method – Mirko Schaefer (Utrecht University)
PEDAGOGY
Decolonised ‘in-betweenness’ – Agata Lulkowska (Staffordshire University)
Creativity: The Cutting Edge – Judy Waite (UKLA)
Practice as research – Vesna Lukic (Middlesex University)
Seeking authenticity – Savyasachi Anju Prabir & Tanay Gandhi (unaffiliated)
21st Century Winter Journey – Julian Lawrence (Teesside University)
Networked Light – Adam Brown (South Bank University)
Live journalism in the classroom – Glenda Cooper (City University of London)
Creative methods and participatory research – Nicole Brown (UCL Institute of Education)
FILM & VIDEO
Establishing film practice research – Iakovos Panagopoulos (Ionian University)
Pacific Community Filmmaking – Kirsten Macleod (Edinburgh Napier University)
Iranian Women Unveiled – Pune Parsafar (Middlesex University)
Practice as research – Vesna Lukic (Middlesex University)
Breast work – Su Ansell (Nottingham Trent University)
Seeking authenticity – Savyasachi Anju Prabir & Tanay Gandhi (unaffiliated)
VR/AR/XR
The media practitioner as an academic – António Baía Reis (University of Porto)
Networked Light – Adam Brown (South Bank University)
DOCUMENTARY
Iranian Women Unveiled – Pune Parsafar (Middlesex University)
Pacific Community Filmmaking – Kirsten Macleod (Edinburgh Napier University)
Transuptive Film Practice – Orson Nava (Ravensbourne University)
Our Story on Screen – Daithí McMahon (University of Derby)
Exemption from Meaning – Greg Bevan (Aberystwyth University)
PHOTOGRAPHY
Networked Light – Adam Brown (South Bank University)
Provoking Practice Visualising Community – Caroline Molloy (UCA Farnham)
ART & VIDEO ART
21st Century Winter Journey – Julian Lawrence (Teesside University)
Creativity and tourism – Vanessa Ágata de Abreu Santos (KU Leuven)
Breast work – Su Ansell (Nottingham Trent University)
Creative methods and participatory research – Nicole Brown (UCL Institute of Education)
VIDEO GRAPHIC CRITICISM
Another Cyborg Manifesto – Alan O’Leary (Aarhus University)
Before and After Bait – Neil Fox (Falmouth University)
PRODUCTION STUDIES
JOURNALISM
Live journalism in the classroom – Glenda Cooper (City University of London)
PERFORMANCE
Live journalism in the classroom – Glenda Cooper (City University of London)